Start with a film template
Under “New slide”, you can now add a film with a cover, formats side by side and approval rounds.
New features, improvements and fixes from this month and the five months before it. The same product updates you see in the app.
Screener becomes a review tool: comments at the timecode, versions with notes and a delivery deck instead of a file link. Deckster opens to everyone, presents live and gets themes. Plus image search in the Media Pool and your own account settings.
29 updates this monthUnder “New slide”, you can now add a film with a cover, formats side by side and approval rounds.
In Deckster, Screener and Shorder, each casting person's files appear as a stack in the pool sidebar. Open it to see the files, or drag the whole stack in at once.
Exported the wrong file? As long as nobody has watched or commented on it, swap the file under the same version number. The original file name stays visible.
Six themes for your PPM deck, each in light and dark, with your own brand colours on top. Switch any time, content stays put.
Choose which emails you get, sign out other devices, hand over a workspace or delete your account with a 14-day grace period.
Clients and agencies comment right on the frame, with replies and a point on the image. You get one digest mail, and the approval report lists every comment.
Drop a new cut on a film and it becomes the next version with a note on what changed. Earlier versions stay playable in the link.
Cover, films with all their formats, credits. The link opens straight into the deck and works on the phone.
Everyone on the link follows your slides in real time, and viewers can rate with thumbs or stars.
Build the PPM deck from cast, locations and storyboard, send it as a presentation and see who watched what.
Type “red jacket” or “staircase” and the Media Pool, Casting Binder and Scout Glass find matching photos, even without a fitting file name.
Add a second frame for where a camera move ends, so start and end sit side by side in the shot list.
See at a glance who's on camera, lighting, sound and the rest in your crew table.
Upload a file from a film without a format in its name, and it becomes a separate format instead of a version of the previous file. Its aspect ratio is picked up later; you can still drop versions onto the format row.
To show a single video directly in the player, choose “Clip”. The film template is for formats and approval rounds.
Import a storyboard and descriptions and Cast stay in the document’s language. Printed Shot numbers like 1A or 2B carry over instead of being renumbered.
With reduced motion turned on, the tool icons on the handoff card no longer move.
New casting photos get an automatic focus point, so faces don't get cropped off pool tiles. If you've set a point yourself in Casting Binder, that takes priority.
You can press Enter to break a cover, credits or film title onto a second line. That second line now shows up on the slide.
Marking comments and notes as done is now only visible to your team. And on shared links everyone comments under their own name.
The magnifier on each tile opens the file full size right inside Deckster, Screener or Shorder. Portrait photos keep their heads, and Social Penal clips play.
Night shoots stay in sync after midnight, the now line only shows on today's schedule, and buffers end at the real end of the day.
The project list shows who did what in which tool, including replies from outside like crew confirmations or client approvals.
Loose files go to the person whose name is in the file name, the AI no longer renames people, and measurements come out in the right unit.
Shifting the timing or letting the AI reorganise it now leaves pinned entries alone and only removes what it says it removes.
Headings, badges, buttons and stages now follow the same rules in every tool. Less hunting, more recognising.
Every tool opens with the same list on the left and a few numbers on the right that tell you what needs attention next.
One link for all agencies, with the agency in the form and the role preselected if you like. Large videos upload in chunks.
Parallel units now sit at their real time in the shoot schedule PDF, interleaved with the main unit, instead of tacked on at the end.
Callsheeter takes Excel seriously: import crew, paste cells, pick passengers per ride. Scout Glass turns pinned locations into set-ups, and your project stays with you as you switch tools.
18 updates this monthPick a project once in the sidebar and every tool opens right inside it. Your last projects are one click away, the rest is a quick search.
Copy a block from Excel or Google Sheets and paste it into crew, cast, transport or the shooting order, Little PA spreads it across rows and columns.
On multi-stop trips, decide for each person which legs they ride and in which car.
Bring your crew list in from Excel or Google Sheets instead of adding everyone one by one.
Mark locations in Scout Glass as locked after the PPM and they show up as set suggestions in your callsheet.
Your project logos now show in full and undistorted everywhere, and the client logo appears in the project lists too.
Hidden actions now show up on tablets too, and Little PA checks with you before sending something to a single person.
When you duplicate a shoot day, Little PA suggests the next day instead of quietly keeping the old date.
Shots without a duration now stand out at a glance, and holding Shift moves the stepper in 15-minute steps.
The schedule list now shows phases as labelled brackets instead of thin colour strips.
Pick whole departments or several people at once from your contacts when building the project crew.
From any tool, the back arrow takes you straight to the project overview.
Switch a pin to satellite view and the callsheet, shared view and PDF all show that location the same way.
Hover over “Sync to callsheets” to see exactly what happens to your callsheets.
Rename or delete scouts right from the Scout Glass dashboard — a typo in the name is no longer forever.
Reviewers now see which motif a location belongs to and can filter the list by motif with one tap.
Play, pause, loop, timecode and laser pointer sit on a bar over the picture in fullscreen and fade out when the mouse rests.
Production company, client and agency suggest names you've used before as you type — tap once instead of typing again.
The project cockpit shows the whole production on one page. Crew requests check availability by link, Timeplaner picks up shoot days from Callsheeter, and every export runs through one PDF designer.
14 updates this monthOpen locations in a fullscreen viewer and export all media as ZIP, hover map pins for a preview card, addresses geocode automatically — and review links can now show only a curated best-of selection.
The calendar offers to import your project's shoot days with one click — duplicates are skipped automatically.
Every project now has a cockpit: next shoot day, crew status, budget and callsheet progress across all tools at a glance — plus pulse cards on the project list.
Ask your crew for availability straight from the project: everyone gets a personal link, confirms or declines in one click, and you get the answer by mail.
Export & share now works the same in every tool, with a shared PDF designer: customize colors and branding for Checkbook and Scoutglass, and turn scouted locations into a location book.
Assign each crew member their own location — visible in the editor, the shared PDF and the public callsheet.
Collaborators invited to a project by email were locked out of the project cockpit despite having access — it opens for them again.
In the export share list each driver now shows their vehicle next to the name, not just the name alone.
The public upload form now asks "Already in this casting?" — new material attaches to the existing person instead of creating a duplicate.
Dates follow your language everywhere, buttons can't double-submit anymore, the English UI is complete, stage tabs work with arrow keys, and locked tool cards tell you why they're locked.
Type an email while quick-adding crew and it becomes a contact automatically — linked to the person, ready for the next project.
Every empty stage now explains what it does and offers the next step — instead of just being empty.
Versioning follows the app-wide pattern, stages got proper cards and inputs — calculating feels like the rest of Little PA now.
Uploaded PDFs (sedcards, resumes) now display and download properly instead of hiding behind a broken preview.
Shorder gets visual: import and crop storyboards, browse Shots as a gallery, see every shoot day on one timeline. Scout Glass lets you walk locations in 3D.
8 updates this monthFilm a location once and Scout Splat turns the video into a walkable 3D scan, right in the browser. Pro feature, rendering runs in the cloud.
Browse your shot list as a storyboard gallery — big thumbnails instead of rows, ideal for visual checks.
Board and timeline merged into one multi-day view — every day stacked and collapsible, drag shots across days, with a shared backlog.
Upload storyboard pages, hand-crop individual frames in high resolution and attach them to your shots — with sturdier AI analysis.
Locations can be marked unavailable, review photos zoom properly, and locations without photos get a map thumbnail instead of a gray box.
People cast for several roles now show up under each of them — in the binder and in the review stage.
The AI schedule optimizer now lives as a per-day widget in the timeline instead of a separate step — write your constraints, optimize, see the result in place.
Ready-to-shoot times set in the callsheet now sync reliably into the timeline, and custom buffer blocks show their real name everywhere.